This project aims to foster cross-disciplinary initiatives enabling forms of collaboration among sciences, philosophy, music, art and new media, in order to create a collective environment crucial for contemporary practices. Six different sessions will take place inside the installation space, where guests will make an interpretation of the work presenting their vision and appropriation of the piece.
Thursday December 12th 2013 - 6 to 8 pm
Opening Reception / Jessica Angel
The installation will open its doors after 3 weeks of working on-site with the assistance of 4 interns. low and space sounds by Gilberto Castillo will be played inside the installation. This is the opportunity to get all the information regarding this project, meet the artist and get involved with the future collaborations, talks and events that will take place throughout the exhibition period.
Thursday December 19th 2013 - 6 to 8 pm
Experimental Music Performance / Live Footage
Topu Lyo plays a 5 string electric cello, incorporating the use of live loops and a handful of electronics with no pre-recorded samples of any kind, and Mike Thies plays drums and keyboards, often simultaneously. Plain and simple, they are cinematic, experimental, yet still catchy and melodic. More Info
Thursday January 16th 2014 – 6 to 8 pm
Three-Dimensional and Interactive / Nelson Ramon
Thursday January 30th 2014 7 – 8 pm
Does Infinity Have a Size? / Jaclyn Avidon
Thursday February 13th 2014, 6-8 pm
Performance Intervention / Soler
Soler will do a performance based, intervention work, responding to the place and time of the show as well as taking into account the people in its surroundings. Soler describes Jessica's installation "as a space of sculptural extrusion", where he will be making actions tangible in a visceral manner responding to this given condition.
Thursday February 20th 2014, 6–8 pm
Sounds Above/Vibrates Below. Sound Design Piece / Gilberto Castillo
“Sounds Above/Vibrates Below” is a work based on a simple melody, which is deconstructed to slowly distribute its elements in simultaneous pitch and rhythmic planes, generating a spaced static texture. It shifts between synthetic sounds and field recordings of natural elements, human chants, city rumbles, and other soundscapes.